Sundance Film Festival
‘Pee-wee as Himself’ Review: Paul Reubens Explores Pee-wee Herman, and His Own Identity, in Revealing HBO Doc
Culled from 40 hours of interviews and thousands of hours of archival footage, Matt Wolf's doc gives Paul Reubens his own posthumous spotlight.
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‘Marlee Matlin: Not Alone Anymore’ Review: A Vibrant Documentary Portrait of a Trailblazer
Shoshannah Stern's doc features extensive interviews with Matlin and covers, among many things, the abuse she alleges she suffered at the hands of William Hurt.
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‘Love Machina’ Review: Provocative but Unfocused Doc Tackles Romance and Robotics
Peter Sillen's documentary follows Martine and Bina Rothblatt in their efforts to transfer Bina's consciousness into a creepy robot.
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‘The Greatest Night in Pop’ Review: Lionel Richie Is an Engaging Guide Through the Historic Star Cluster Behind “We Are the World”
Bao Nguyen’s Netflix doc chronicles the unprecedented gathering of many of the top American music artists of the 1980s to record the earworm charity single.
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‘Skywalkers: A Love Story’ Review: Exhilarating Doc Takes Relationship Issues to New Heights
Filmmaker Jeff Zimbalist ('Favela Rising') chronicles the harrowing story of how two Russian daredevils saved their romance by climbing one of the world's tallest buildings.
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Jason Blum Hopes Sundance Films “Wind Up in Theaters Quickly” to Rescue “Decimated” Calendar
The Blumhouse founder joined Sundance officials Joana Vicente, Eugene Hernandez and Kim Yutani to kick off the 2024 festival with a press conference and panel.
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‘sex, lies and videotape’: THR’s 1989 Sundance Review
The Steven Soderbergh film premiered at the fest when it was still called the United States Film Festival.
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Koko Da Doll, Star of ‘Kokomo City’ Sundance Documentary, Found Dead in Atlanta
The Atlanta Police Department is investigating a fatal shooting from Tuesday night, as 'Kokomo City' director D. Smith says the documentary star is “the latest victim of violence against Black transgender women.”
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‘Fancy Dance’ Review: Lily Gladstone in Native American Filmmaker Erica Tremblay’s First-Rate Feature Debut
Set in northeastern Oklahoma’s Indian Country, the film also features Shea Whigham and newcomer Isabel Deroy-Olson.
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